Archive for the 'sacred trinity church' Category

Trespassers William @ Sacred Trinity Church, Salford, 07-10-09

I’ve been wanting to see Trespassers William live for three years now, at least – since The Ledge first downloaded “Lie in the Sound” from their stunning Different Stars album. This gig at Sacred Trinity was the first opportunity and what a great venue for it too! With the high celings, ornate decor and stunning acoustics, the atmosphere would certainly be the perfect way to experience their soft, mournful, shoegazer folk.

First on was Operations – basically Kip from Napoleon Dynamite with a guitar and an effects pedal. He played a chord and then used his effects pedal to string it out forever, changing volume and adding weird, well, effects. They weren’t songs. They were chords and a guy monkeying around. The Ledge commented that it was the sort of thing he used to do in his bedroom when he got his first guitar to see what sounds the effects pedal would make. To call it boring doesn’t do it justice. The “songs” were so monotonous and uninteresting that they could make the dead rise from the grave to find somewhere else to entomb themselves.

Glissando came next and were far more agreeable, playing incredibly slow folky tunes which I enjoyed at first, but lost my interest after while. I’d probably have enjoyed them more if I weren’t anticipating the main act.

Trespassers William were everything I hoped they’d be – quiet, pensive, beautiful – and they left far too soon. With a 30 minute set which consisted of around 7 songs, they managed to sneak in my two favourites – “Different Stars” and “Lie in the Sound” as well as a breathtaking cover of “Videotape” by Radiohead with Glissando providing additional instrumentation and backing vocals and a couple of new songs which were lovely, but failed to surprise (not that this was a bad thing). Singer, Anna-Lynne explained that the band was soldiering on despite both her and guitarist Matt being rather unwell, which may explain the short set.

Overall, although I wish they’d played longer, I can’t complain too much as the gig was exactly what we wanted when we bought the tickets. Trespassers William came to Manchester and played their lovely music for us in a church.

Trespassers William – Different Stars

Video: Trespassers William, “Lie in the Sound” at Sacred Trinity Church, Salford

Video: Trespassers William, “Videotape” at Sacred Trinity Church, Salford

Posted by JustHipper on 11th October 2009 at 3:48 pm | comments (321)
File under female singers,Gig Reviews,sacred trinity church,video.

Gig Review: Neil Halstead @ Sacred Trinity Church, Salford, 25th September 2008

We had quite a choice of gigs last Thursday and after planning to head down to the Night & Day for Broken Records we changed our minds, realising that we couldn’t pass up the chance to see Neil Halstead at Sacred Trinity Church. For starters, he tours rarely, whereas Broken Records are currently plugging away and are bound to be back soon when they have an album to promote. Secondly, Sacred Trinity Chuch is a wonderful venue and we could imagine hearing Neil’s beautiful folky, poppy ex-Shoegazer tunes echoing around the hall and we just knew it was going to be a good gig.

Daniel Land and the Modern Painters @ Sacred Trinity Church, SalfordOpeners Daniel Land and the Modern Painters started proceedings with what I can only describe as anthemic shoegazer indie. They reminded me a little of Doves and a little of defunct Manchester outfit Snowfight in the City Centre but with additional fuzzy guitar effects. I can equally imagine enjoying them in a dark, smoky basement with loads of smoke and backlighting as I can sitting in a field in the sunlight with a couple thousand people singing along. The songs were immediately effective and the band put in a good performance. The between-song banter was humble and funny and warm.

Neil Halstead has been on and off my radar for a while. I have one Slowdive album, Souvlaki, which I like but never really grew to love. I adore the first Mojave 3 album, Ask Me Tomorrow. Something about the way they marry the aesthetics of their shoegazer days with folky, twangy country tunes really appeals and the quiet restraint combined with the lyrics about love and loneliness still have me coming back to that album ten years on. I completely missed out on a couple of Mojave 3 albums but picked up Puzzles Like You, the most recent offering, to discover that they had mutated again and were writing pop gems that were more reminiscent of Teenage Fanclub than My Bloody Valentine. Needless to say we were expecting a bit of stylistic variety from Neil Halstead.

Neil Halstead @ Sacred Trinity Church, SalfordThe gig began with Neil sitting in a chair, playing soft folk songs on just his acoustic guitar before inviting the full band on stage. He was reserved, as expected, but did have a couple of funny stories to go with the songs – as folk singers do. He amused the crowd by playing a track he said he probably shouldn’t play in a church as it was about being woken up by people knocking on his door to teach him about Jesus Christ. The songs with the full band were still folky, with more of an Iron & Wine vibe than anything else – so it seems he’s gone the whole route from fuzzy guitars to soft country to American-influenced folk. Having heard music from every stage of his career, it actually makes sense – he’s always written light, airy melodies, he just changes the way he chooses to present them.

Midway through the set he sent the band back off stage so he could play a few Mojave 3 tracks for us. First asking the crowd for requests, he abandoned that idea when the only requests he received were for tracks he said he couldn’t play. He instead performed songs of his own choosing – sadly, songs whose names are unknown to us – before bringing the band back on stage to finish the set with a final few numbers before closing with a song about beards – dedicated to everyone with facial hair.

Overall, it was a lovely performance, pretty much what we expected, to be fair, and enough to recommend his solo album for purchase.

Neil Halstead – Martha’s Mantra (For The Pain)

Mojave 3 – She Broke You So Softly

Posted by JustHipper on 1st October 2008 at 8:40 pm | comments (2)
File under daniel land and the modern painters,Gig Reviews,manchester gigs,mp3,neil halstead,sacred trinity church.

Moulettes at Sacred Trinity Church



Originally uploaded by Justhipper

Moulettes are good in a way that should make the Decemberists worry.

Posted by Admin on 4th May 2008 at 9:53 pm | comments (3)
File under moblogging,sacred trinity church,Sounds from the Other City.

Moulettes at Sacred Trinity Church for Red Deer Club



Originally uploaded by Justhipper

Moulettes at Sacred Trinity Church. Poppy folk that’s reminiscent of Beirut.

Posted by Admin on 4th May 2008 at 9:37 pm | comments (2)
File under moblogging,sacred trinity church,Sounds from the Other City.

Gig Review: Light Syndicate @ Sacred Trinity Church, Salford, 8th February 2008

Light Syndicate @ Sacred Trinity Church, SalfordA couple of years ago we blogged a bit about a local band called Nephew. We saw them live a few times and they were great, and they also released an EP called Our Cold War which was very good indeed. It all went a bit quiet on the Nephew front last year but they have now re-emerged as the much more Google-friendly Light Syndicate and last week played in the ornate but cosy surroundings of Salford’s Sacred Trinity Church.

First to take the stage on the night was local singer-songwriter Simon Connor who did a decent job and managed to keep most of the assembled throng interested in his folksy pop. It was above-average singer-songwriter fare and his guitar playing was excellent throughout. He even busted out the ubiquitous looping pedal on his final song, building up layer upon layer of guitar to quite brilliant effect.

The Bangs @ Sacred Trinity Church, SalfordThe Bangs were a pleasant surprise, not least because their rather unimaginative name conjured up the image of a bunch of ladrock dullards. Things could not have been further from the truth as The Bangs are a three piece with a bloke on drums and a couple of very cool and slightly nervous looking young girls in their indie best sharing guitar, bass and vocal duties. And they were great, mixing up indie pop with grungey rock and taking me back to the early 90s and the likes of The Breeders and Throwing Muses, as well as some of those Riot Grrrl bands. Despite these influences, they were clearly intent on doing their own thing and were obviously enjoying themselves. What really impressed me was the way they used their guitars, picking out melodies on both guitar and bass that dovetailed together quite beautifully. We’ll definitely be watching out for The Bangs in the future; they could go on to break a thousand indie boy hearts.

Light Syndicate @ Sacred Trinity Church, SalfordLight Syndicate have lost their violinist since last we saw them and so are down to a mean, lean four piece. This is a shame because he brought a lot to their sound, especially to the post-rock aspect of it, although without him they sound more compact and more focused. They have finished recording their long-awaited (by us, anyway) debut album and almost all of the night’s set was taken up by tracks from it. The church, with its high ceilings, chandeliers and huge stained-glass windows, was a great setting for their atmospheric rock. New songs like “Friday Night On Peter St.” and “87654” might betray an obvious Radiohead influence but they sounded excellent nonetheless. Old favourite “High Rise Buildings” from their EP (and re-recorded for the new album) sounded as good as ever with the missing violinist’s parts remaining intact thanks to the wonders of modern technology. The album’s title track, “Last In Line”, was the highlight of a fine set with its blissful instrumental coda, complete with melodica solo, filling every corner of the room.

They ended with a new song, “Super Tuesday”, which had a rather funky bassline and another lengthy instrumental coda that took the song well past the 10 minute mark. It is during these long instrumental sections that the band’s excellent rhythm section come into their own, laying down a solid groove and allowing guitar and keyboards the freedom to soar into the sonic heavens. This was an impressive return to action and Light Syndicate have got a few more gigs lined up in the near future; check out their MySpace page for further details.

Light Syndicate – High Rise Buildings (album version)

Nephew – Secret Army (from the Our Cold War EP)

Posted by The Ledge on 20th February 2008 at 9:57 pm | comments (34)
File under Gig Reviews,light syndicate,mp3,nephew,sacred trinity church,salford,simon connor,the bangs.

Gig Review: Jens Lekman @ Sacred Trinity Church, Salford, 27th November 2007

About a month ago I stuck Jens Lekman’s new album, the magnificent Night Falls Over Kortedala, into the swanky new CD player we have in our bathroom. It seems that hearing the first four tracks on this album for five days straight had quite an adverse effect on JustHipper – who had previously been fairly receptive to this Swedish pop genius – and on the fifth day she burst into the lounge and screamed something along the lines of “if you don’t get that pile of moany shite out of the CD player ASAP then I will kill you and Jens Lekman, what with him all whining on about his first kiss and his lesbian friends and referencing himself in every fucking song. Aargh!” I swear that if we ever split up it will be because of “musical differences”.

And so she didn’t make it down to the gig, sparing both mine and Jens’ life in the process, and allowing a fortunate history student called Luke the opportunity to witness one of those rare gigs that in five years time he’ll be telling everyone “I was there.” Pews had been dragged to the wings and the “stage” set up at the business end of the church, though there wasn’t an actual stage which made viewing very difficult for most. First on was Neil Burrell who I’d seen at Islington Mill last year and who was even stranger here than he was back then. It is very difficult to define his sound as he sounds all over the place with vocals that veer unexpectedly into wildly out-of-tune falsetto and songs that seem to end abruptly just as they’re getting going. I swear that he was actually un-tuning his guitar between songs rather than tuning it up. With a complete absence of stage presence and the shortness and downright weirdness of the songs it was very difficult to get a handle on him and much of the audience seemed to lose interest pretty quicky. It was nothing if not intriguing, however, and the final song, a more linear folksy effort in which he put on a very strong, almost comic, Scottish accent, was pretty excellent.

Next up was Magic Arm who was quite impressive with his use of the looping pedal; building up backing tracks with great skill, using all manner of instruments. Folktronica is, I believe, what they call it these days and, yes, he was a veritable one man Beta Band. He played covers of Serge Gainsbourg’s “Ballade de Melody Nelson” (translated into English, no less) and LCD Soundsystem’s “Daft Punk Is Playing At My House” and they were both superb while his other stuff wasn’t too bad either.

Jens Lekman @ Sacred Trinity Church, SalfordThe congregation shuffled forward to the altar to greet Jens Lekman, the few sitting on the floor at the front remaining seated to literally worship at his feet. It was an odd atmosphere; the crowd very quiet and reverential, not just for Jens himself but for the venue. To describe it as intimate would be an understatement. Jens judged it perfectly, starting with “Into Eternity”, just him and an acoustic guitar, though he was quickly joined by a curiously dressed young lady on bongoes and backing vocals. He told stories as he strummed along during the segue into “Sipping On The Sweet Nectar” and everything was all mellow and relaxed until halfway through when a backing track suddenly kicked in, surprising everyone; even the two performers struggled to get into sync with the drums and blaring horns for a couple of bars. The storytelling continued through the sublime “A Postcard To Nina” as Jens added even more detail to the story of a nightmare dinner with his friend’s Catholic parents, pretending he was engaged to her to deflect the fact that she was going off to set up home with her girlfriend.

Though the backing tracks were used sparingly throughout the evening they were always welcome and superbly judged; during the marvellous “The Opposite Of Hallelujah” we got Chairman Of The Board’s “Give Me Just A Little More Time” bursting through the monitors fitting in perfectly with the song’s chord progression. He also used the increasingly ubiquitous looping pedal to build up vocal harmonies on a number of tracks before encouraging an initially reluctant audience to do the harmonies for him. It was difficult not to feel self-conscious in such an intimate setting and Jens struggled to get people to even clap along in the early stages. “A Sweet Summer’s Night On Hammer Hill” found moderate success in the sing-a-long chorus but it was “Pocketful Of Money” that won out with much of the male contingent, me included, singing the deep vocal refrain of “I’ll come running with a heart on fire” under their breath to produce a quite beautiful cumulative effect.

Jens Lekman @ Sacred Trinity Church, SalfordThere were so many other highlights and there wasn’t a single moment when the performance flagged. “The Cold Swedish Winter” was a quiet joy while “I’m Leaving You Because I Don’t Love You” and “Shirin” managed to be both uplifting and melancholy at the same time. He was generous with the encores and by the time we got to “Friday Night At The Drive-In Bingo” and “Black Cab” everyone was up on their feet, dancing and singing along. He ended with the gorgeous “Tram #7 To Heaven”, a fitting end to what was a quite extraordinary and unique gig-going experience.

Jens Lekman – A Postcard To Nina

Jens Lekman – Tram #7 To Heaven

Posted by The Ledge on 1st December 2007 at 12:19 pm | comments (7)
File under jens lekman,mp3,sacred trinity church,salford.