Archive for the 'manchester gigs' Category

Gig Guide Special: In The City, 5th-7th October 2008

Manchester’s annual In The City festival rolls around again this weekend and as usual there is an absolutely huge number of gigs going on in the city centre between Sunday and Tuesday. Most of them are free showcases for unsigned acts and small indie labels but there’s a fair few more recognisable acts playing as well. You won’t be able to wander around the Northern Quarter without being in earshot of a bunch of earnest teens in skinny jeans singing for their supper. And what about those dates? I’m sure that previous ITC’s took in the whole weekend. Three days of late nights and early mornings for those of us with jobs is not going to be easy.

As far as line-ups go you’re spoilt for choice and an afternoon of trawling MySpace to narrow down the options is highly recommended. We’ll probably start at the Night & Day on Sunday afternoon for the Switchflicker showcase headlined by the excellent Magic Arm, although at the same time at Fopp Records there’s a Heavenly showcase including acoustic sets from The Magic Numbers’ Romeo Stodart, Cherry Ghost and Edwyn Collins, all of whom will be making their way to the Deaf Institute for a presumably more electric showcase in the evening.

Also on Sunday night there’s a Fierce Panda showcase at the Night & Day with The Spinto Band headlining and Laymar and The All New Adventures of Us also on the bill, XFM put on The Beep Seals and Gideon Conn at the Ruby Lounge and at South the NME have Eugene McGuinness and Detroit Social Club.

Gideon Conn turns up again at Urban Outfitters early on Monday evening where there is also an exhibition of his artwork and “free drinks”. On Monday night the Hell Yeah promotion at the Academy 3 looks interesting with The Bottomfeeders, Silverclub and The Sister Of Transistors playing. On the same night The ABC Club, who were ace when we saw them supporting ¡Forward, Russia! earlier in the year, play the Chicago Rock Café in support of Johnny Foreigner, the band they replaced on the bill that night.

On Tuesday The Red Deer Club take over Piccadilly Records where they’re putting on Sophie’s Pigeons, Down The Tiny Steps and Sara Lowes, while Drowned In Sound have the likes of Grammatics and These New Puritans at the Night & Day. On the same night Manc guitar legend Vini Reilly brings his Durutti Column to the Ruby Lounge, Wiley headlines the Channel M night at Moho Live and Twisted Wheel and It’s A Buffalo play the BBC Introducing showcase at the Deaf Institute.

And that’s just the tip of the iceberg, really. Check out the In The City website for the full line-up and make sure you also look at the list of fringe gigs on the site, which is almost as exhausting as the main event. Acts include Simon Connor, among others, on Sunday afternoon at The Bay Horse, Air Cav at Joshua Brooks on Sunday night, The Star Fighter Pilot at The Attic on Tuesday night and, also on Tuesday, Light Syndicate and The Bangs at the Retro Bar.


Posted by The Ledge on 2nd October 2008 at 11:44 pm | comments (2)
File under gig guide,in the city,manchester gigs.

Gig Review: Neil Halstead @ Sacred Trinity Church, Salford, 25th September 2008

We had quite a choice of gigs last Thursday and after planning to head down to the Night & Day for Broken Records we changed our minds, realising that we couldn’t pass up the chance to see Neil Halstead at Sacred Trinity Church. For starters, he tours rarely, whereas Broken Records are currently plugging away and are bound to be back soon when they have an album to promote. Secondly, Sacred Trinity Chuch is a wonderful venue and we could imagine hearing Neil’s beautiful folky, poppy ex-Shoegazer tunes echoing around the hall and we just knew it was going to be a good gig.

Daniel Land and the Modern Painters @ Sacred Trinity Church, SalfordOpeners Daniel Land and the Modern Painters started proceedings with what I can only describe as anthemic shoegazer indie. They reminded me a little of Doves and a little of defunct Manchester outfit Snowfight in the City Centre but with additional fuzzy guitar effects. I can equally imagine enjoying them in a dark, smoky basement with loads of smoke and backlighting as I can sitting in a field in the sunlight with a couple thousand people singing along. The songs were immediately effective and the band put in a good performance. The between-song banter was humble and funny and warm.

Neil Halstead has been on and off my radar for a while. I have one Slowdive album, Souvlaki, which I like but never really grew to love. I adore the first Mojave 3 album, Ask Me Tomorrow. Something about the way they marry the aesthetics of their shoegazer days with folky, twangy country tunes really appeals and the quiet restraint combined with the lyrics about love and loneliness still have me coming back to that album ten years on. I completely missed out on a couple of Mojave 3 albums but picked up Puzzles Like You, the most recent offering, to discover that they had mutated again and were writing pop gems that were more reminiscent of Teenage Fanclub than My Bloody Valentine. Needless to say we were expecting a bit of stylistic variety from Neil Halstead.

Neil Halstead @ Sacred Trinity Church, SalfordThe gig began with Neil sitting in a chair, playing soft folk songs on just his acoustic guitar before inviting the full band on stage. He was reserved, as expected, but did have a couple of funny stories to go with the songs – as folk singers do. He amused the crowd by playing a track he said he probably shouldn’t play in a church as it was about being woken up by people knocking on his door to teach him about Jesus Christ. The songs with the full band were still folky, with more of an Iron & Wine vibe than anything else – so it seems he’s gone the whole route from fuzzy guitars to soft country to American-influenced folk. Having heard music from every stage of his career, it actually makes sense – he’s always written light, airy melodies, he just changes the way he chooses to present them.

Midway through the set he sent the band back off stage so he could play a few Mojave 3 tracks for us. First asking the crowd for requests, he abandoned that idea when the only requests he received were for tracks he said he couldn’t play. He instead performed songs of his own choosing – sadly, songs whose names are unknown to us – before bringing the band back on stage to finish the set with a final few numbers before closing with a song about beards – dedicated to everyone with facial hair.

Overall, it was a lovely performance, pretty much what we expected, to be fair, and enough to recommend his solo album for purchase.

Neil Halstead – Martha’s Mantra (For The Pain)

Mojave 3 – She Broke You So Softly

Posted by JustHipper on 1st October 2008 at 8:40 pm | comments (2)
File under daniel land and the modern painters,Gig Reviews,manchester gigs,mp3,neil halstead,sacred trinity church.

The Hold Steady UK Tour – CANCELLED

Craig Finn of The Hold Steady live in Manchester UKIn case you haven’t heard, The Hold Steady have cancelled their entire UK tour to have started tonight, 29th September. Apparently all dates will be rescheduled. The email from Ticketline regarding the cancellation states:

Ref: The Hold Steady at Manchester Academy 29th September
> ’08
> Unfortunately this gig has been postponed due to one of the
> band members
> being ill. If you wish to attend a new date when it is
> announced, please
> keep hold of the tickets you have received. We will advise
> you of a new
> date when it becomes available however we also advise you
> to keep an eye
> on the website for further information. Alternatively
> please return your
> tickets by secure mail to the address below for a face
> value refund.
> On behalf of the promoters of the event and the band, we
> apologise for
> any inconvenience caused.

Pity, as we’ve been looking forward to this for months!

If you’re reading this lads, get well soon, and please don’t reschedule on a really awkward night…..

For those of you who are gutted at having to wait, here’s a teaser:

Posted by JustHipper on 29th September 2008 at 5:57 pm | comments (4)
File under CD Reviews,hold steady,manchester gigs,News,Rant.

The Manchester Gig Guide: 29th September – 5th October 2008

Another exciting week is on the cards with the annual In The City festival kicking off next weekend. There’s so much going on in ITC that I think I’ll leave all that for another post later in the week.

On Monday, indie rock ‘n’ rollers The Duke Spirit play the Club Academy while Tall Firs are at the Dulcimer in Chorlton. Gig of the week, maybe even the year, will be at the Academy on Tuesday when The Hold Steady, who are pretty much our favourite band of the past few years, arrive back in Mancehster for the fourth time in little over 18 months. There are still tickets left and you’d be a fool to miss them. See you down the front. Ok, so maybe The Hold Steady aren’t your thing, maybe you want to see some guy in a splangly one-piece daredevil uniform singing into a telephone strapped to his daredevil helmet while he bashes out distorted blues on his guitar; a sort of Seasick Steve meets Evil Knievel kind of thing. If you do then Bob Log III could be right up your street and, as luck would have it, he’s playing The Ruby Lounge on the same night.

There’s plenty going on on Thursday with The Ting Tings playing the first of a two night homecoming stint at the Academy while hotly-tipped Friendly Fires are at the Ruby Lounge. The Automatic are on at the Academy 2 but if you’re lucky they’ll be drowned out by US hardcore legends The Melvins upstairs in the Academy 3. If you want something a bit quieter then acoustic singer-songwriter Kaki King plays the Night & Day. From what I’ve heard on her MySpace page this could be very good indeed.

Friday sees Cajun Dance Party at the Academy 3, Pete Doherty at the Ritz and Stevie Wonder at the MEN Arena. On Saturday we’ll be at the Bridgewater Hall to see the Tindersticks for the first time in ages. They’re promoting their excellent new album, The Hungry Saw, and will have an orchestra in tow so it should be an excellent night.

In The City gets properly underway on Sunday but the pick of the non-ITC gigs on the night are the intriguing Maps & Atlases at the Star & Garter and The Streets at the Academy.

Posted by The Ledge on 28th September 2008 at 11:13 pm | comments (1)
File under gig guide,manchester gigs,the hold steady.

Gig Review: Brett Anderson, Manchester Royal Northern College of Music, 26th September 2008

Dear Brett Anderson,

Last night’s gig at the Royal Northern College of Music in support of your new album, Wilderness, was many things, but it was far from being a typical Brett Anderson gig. I know we’ve had our musical differences over the last couple of years but seeing you on stage really made me worry about you. You looked gaunt and a little ill – a thin man who is noticeably thinner, eyes sunk into his skull, brings out my mothering instinct. Please, let me send you a casserole, or some brownies. You need a good feed or twenty. It might cheer you up. I’m deadly serious, if you want me to feed you, let me know. I’ll send a care package. I promise not to send Pot Noodle. I also promise not to poison you. I’d hate to see the songwriter whose Dog Man Star and Coming Up albums got me through the two worst years of my life starve to death. I’d also hate for you not to receive the same comfort from somewhere that your records gave me.

The first twenty or so minutes of your performance, where you emerged to the piano without even acknowledging the audience were excruciating. Running one song into the next, the songs from Wilderness all have the same tone and pace, are even in the same key, and the cello arrangements are so monotonous that I didn’t notice when “A Different Place” turned into “The Emperess.” With you staring at your hands, tearing through these slow dirges, it was hard to engage with what was occuring on stage. Although I adore “Back To You” it felt soulless, the way you were jauntily hitting the keys with a plink-plink-plink, even though it was slow and quiet, it felt hurried, lacking in the necessary brooding and restraint.

I was so relieved when you finally moved to your stool and took up a guitar. “Love Is Dead” was a bit better, even though you still kept your eyes closed and for the first time ever I quite enjoyed “Song for My Father” – it was the first moment in the show where you actually seemed to be really singing something like you meant it. Now this is not to say that you landed a note out of place, but watching you perform with such obvious disengagement from the gig, like you were entirely in your own head, barely acknowledging the crowd or even your cellist, Amy, was so unlike you as a performer that it really detracted from the experience.

I kept expecting you to open your eyes, banter with the crowd, tell a dorky anecdote, but we got nothing – just closed eyes and song after relentless song.  “Funeral Mantra” connected a bit better than it had when I was listening to the album, “To the Winter” suffered the same fate as “Back to You.” I wanted to scream “WHY WON’T YOU LOOK AT US!” on a number of occasions but the pace between songs was such that I’d have had to interrupt your playing – and I’m not quite that rude (nearly, perhaps). I was terribly disappointed when you left after 45 minutes for the interval.

The problem I had, and I continue to have this morning is that just over a year ago I saw you perform songs from your eponymous debut, Brett Anderson, at the Manchester Academy. Despite promoting an album you described as personal and intimate you were strutting around like a rock god, waving your arms, shaking your arse and the gig lacked that intimacy – until you did an interlude of acoustic songs with just your guitar. That was an amazing 15 minutes because you stopped being a performer and just sang to the audience. You were engaged with us, you were open and you talked with us and for a few minutes the wall dropped and I felt like we were seeing a vulnerable, honest performance. You can see what I said in my original review. I’m also not the only reviewer to have expressed this sentiment.

Strangely, a few months later you went out on an acoustic tour and then recorded an acoustic album. Maybe you already had this plan in mind, but the cynic in me wonders if you read your reviews and thought that in order to achieve songwriter gravitas you had to pursue this direction – whether you wanted to or not. The worry is that something in your head told you that Brett Anderson at 40 cannot be a rock star, can’t explore and experiment with computers or electronics, plugged in instruments – that people wil say you lack dignity if you don’t go all singer-songwriter acoustic. The worry is that you feel that acoustic and slow is the same thing as honest, open and vulnerable – it is not. I have seen screaming punk rock performances, electronica acts who were raw and expressive and honest. It wasn’t the fact you were playing acoustically on your own – it was the fact that you weren’t delivering a performance, you were, quite simply, singing songs that mattered to you back to us.

Last night was a different story, however. Now, maybe I have it wrong and these songs are so emotional for you that you find it hard to perform them and you need to go inside your own head to get through the performance – but I just find that hard to believe. You produced some very raw performances of some very emotional songs with Suede and there was rarely a moment where you were disengaged from your audience – even when you were at your worst, while promoting Head Music. But mostly, this conclusion comes from the fact that the Suede part of the set consisted of much of the same disengagement.

Now don’t get me wrong, I was thrilled when you came back on stage and played “Europe is Our Playground”. “The Wild Ones” still has the ability to completely make the world stop for me and “Still Life” nearly brought a tear to my eye. On the other hand, one of my all-time Suede favourites, “Pantomime Horse” suffered a bit from the sudden need to express emotion which involved violent strumming and headbanging – open your eyes, stand up and express it as a singer, don’t just phone it in with a rock cliche! “The Living Dead” suffered from the same fate.

When you moved back to your piano and treated us to “Another No One”, “Down”, “He’s Gone”, “The 2 Of Us” and “Asphalt World”, I finally felt that you were coming out of your shell a little – you looked at us a couple of times, or maybe I just love those songs that much that your coldness didn’t matter.

The final two songs, however, were an absolute disgrace. I made a joke in our Manchester Gig Guide earlier in the week regarding hearing “Trash” and “Animal Nitrate” on acoustic guitar and cello. I did not expect to get this performance – albeit “So Young” instead of “Animal Nitrate”. For starters, even though you acknowledge that playing “So Young” is a bit ironic that doesn’t mean you shouldn’t retire it entirely. It sounded ridiculous. Ok, it was pretty, but the slow, acoustic delivery completely destroyed the anger and energy of the song. “Trash” sounded moronic when you played it in that format for Jonathan Ross on Radio 2 a few years ago, it sounded even more idiotic last night. Singing a bombastic song about mis-spent youth, clubbing and drugs in the same dirge-like manner as the rest of your recent offerings just emphasizes the fact that you were delivering what you think you should be doing now, rather than playing the songs in the way that you’re really feeling them.

I enjoyed parts of your performance, you sing beautifully and you always have, however Mr. Brett Anderson, your performance in Manchester last night felt hollow and at times I think you knew that – or you would have been able to make eye contact with us.

Please Brett, before releasing another monotone album where the bland music contrasts and spoils the melodrama in the lyrics, please think about what will work best for what you’re feeling and for what the songs need. Don’t just make an acoustic album so you sound “mature” and don’t just make a bombastic rock album because that’s what the legions of fans who have deserted you over the last two years will require in order to return to the fold. Think about what you need to write in order to be open, vulnerable and honest with us again and try to write that record.

Oh, and do eat something please.

All the best,


Posted by JustHipper on 27th September 2008 at 11:48 am | comments (13)
File under brett anderson,Gig Reviews,manchester gigs,video.

Brett Anderson Live in Manchester 26th September: Video of “Europe Is Our Playground”

Brett Anderson live at the Royal Northern College of Music in Manchester tonight was many things, good and bad. Here’s a video of him performing Suede classic, “Europe Is Our Playground”. There will be much more video and a full review to follow, possibly very late tonight, possibly tomorrow.

Posted by JustHipper on 27th September 2008 at 12:04 am | comments (1)
File under brett anderson,manchester gigs,video.

The Manchester Gig Guide: 21st – 27th September 2008

Brett Anderson of Suede drooling over Bernard Butler

Well, a day late and from the wrong member of the Indie Cred household, here’s the weekly gig guide.

It seems that last night we missed Beggars at the Night & Day, System of a Down side-project Scars on Broadway at the Manchester Academy and hardcore band Strike Anywhere at the Music Box. Oh well.

As for tonight, if I manage to get this posted in the next 10 minutes or so, you might manage to get down to the Manchester Academy to see experimental rock-rap-funk outfit Flobots, down to the Roadhouse for Infadels or to the Night & Day for White Lies, although that last one, it seems, has been sold out at least since Friday’s Manchester Evening News went to press.

Now, on to the gigs that aren’t already nearly history. Tuesday, September 23rd looks to be a quiet night with not much more than Liz Green, Ben Wetherill and Essie Jain, a trio of singer-songwriters, on at Matt & Phreds. Elsewhere, Mancunian band Ideas as Opiates are on at a showcase at the Night & Day which also features Frank is Dead and Sycamore.

On Wednesday the 24th things start to pick up a bit more when quirky Canadian indie-pop outfit Islands take over the Night & Day. Last time I saw Islands playing to a half-full crowd in the Roadhouse they were utterly charming so I’d recommend joining The Ledge to check out their latest offerings. Elsewhere experimental folkster Adem plays at the Ruby Lounge, supported by charming jangly instrumentalists Tim and Sam’s Tim and The Sam Band with Tim and Sam while gloom-rockers 1913 play the Hilton Hotel, of all places. On a completely different note, grime rapper Sway is on at Jabez Clegg, which could be interesting if only to see such a hotly-tipped hip hopper in such a tiny setting. If small, intimate gigs by good bands aren’t your thing, however, or you’ve a zimmer frame and want to hark back to your childhood in a more overpriced, seated setting, you can always head down to the Apollo for The Moody Blues. If you remember them from their first go round, however, you’re either really old, you weren’t really there, or both.

Thursday sees the welcome return of Scottish indie-folk-rockers Broken Records to the Night & Day. We enjoyed them the last time around and we may head down ourselves, although we’re likely to skip opener Troubadour as we’ve had little luck with bands of similar names. However, we’re also sorely tempted by the idea of Neil Halstead of Slowdive and Mojave 3 performing on his own at Sacred Trinity Church. It may come down to a coin toss for that one. If you fancy a bit of hypnotically loud post-rock, then Amusement Parks on Fire are on at Retro Bar along with the very amusingly-named Apes Fight Back. For the more electronica-minded amongst us, try heading down to catch Fujiya & Miyagi at The Deaf Institute. If neither of those take your fancy, there’s always psychedelic rockabilly courtesy of Jon Spencer’s newest band Heavy Trash. Enjoyable local rockers The Maple State are on at The Music Box while Spear of Destiny trigger some memories of the 1980’s over at Club Academy.

Friday, Suede fans of the world will get the opportunity to lob rotten tomatoes, rocks and pints of piss at me as I head down to see Brett Anderson attempt to interest us in his latest solo offering at the Royal Northern College of Music. My companion for the gig and I will be hoping he gets the solo stuff out of the way early so we can see whether “Trash” and “Animal Nitrate” sound as bad on the cello as we expect they will. On a slightly similar note, Wigan’s finest, Starsailor, will be performing at Moho Live in front of the 6 people who still care. For those not interested in mainstream indie whinging, get your dancing shoes out for disco diva Sam Sparro at Manchester Academy or dust off your leather trousers and head down to watch Dragonforce at Club Academy. If none of that takes your fancy, you could always check out some famous folk offspring in the form of Teddy Thompson at the Ruby Lounge. Of course Corrie and a bottle of wine sound pretty good on a Friday night too.

Saturday the 27th looks to be the night of the indie anthem as Puressence play Club Academy and Longview perform at the Roadhouse. Of course, if you’re feeling a bit less 1997, you could head down and see It Bites at Club Academy. We’d recommend, however,  that you rest up for the following weekend as In the City prepares to descend on us once again.

Mojave 3 – Mercy

Amusement Parks on Fire – Asphalt (Interlude)

Posted by JustHipper on 22nd September 2008 at 9:27 pm | comments (6)
File under brett anderson,gig guide,islands,manchester gigs,mp3,night & day.

The Manchester Gig Guide: 15th-21st September 2008

I was gutted when Bon Iver pulled out of his support slot with Iron And Wine at the Ritz back in May to play Jools Holland. His For Emma, Forever Ago album is one of my favourites of the year so far and he finally makes it to Manchester on Monday night when he plays the Academy 2. Also on Monday the excellent Jeffrey Lewis plays the Club Academy with support from the much-touted Wave Pictures, while Californian indie popsters The Little Ones are at the Night & Day.

There are more goodies on Tuesday with Shearwater at The Roadhouse supported by local hopefuls Air Cav. Though I’ve quite enjoyed the last couple of Shearwater albums, for some reason their songs just don’t seem to stick and those albums are now gathering dust on the Indie Cred shelves. I’m hoping for some sort of epiphany at The Roadhouse. Canadians Born Ruffians play the Night & Day on the same night and I’m pretty sure that they’ll be very good.

On Wednesday folk goth pioneer – and daughter of Maddy Prior – Rose Kemp plays the Night & Day. The Glasvegas gig at the Academy 3 on the same night sold out long ago but don’t worry, they’ve since added a date at the Academy 2 on December 8th. Derry’s hotly-tipped indie rockers Fighting With Wire play the Roadhouse, also on Wednesday, in what is a 14+ show.

On Thursday My Brightest Diamond are on at the Sacred Trinity Church in Salford while on Saturday The Telescopes are on at the KroBar on Oxford Road. This is, apparently, the same band I remember from the halcyon days of Rocking In The UK/Transmission – the weekly hour of indie music TV broadcast on some, but not all, of the ITV regions at 3 in the morning that I, and presumably many other like-minded music lovers, set their videos for every Wednesday night (or was it Tuesday?) back in the late-80s/early-90s so they could watch cheap videos stuffed full of “psychedelic” visual effects by droning, noisy shoegazers like the aforementioned Telescopes, or watch said bands being interviewed by shy indie girls called Rachael; or a very young and nervous Steve Lamacq. I’ve recently been converting a lot of my old videos to DVD and watching old episodes of Transmission (certainly not to be confused with the shitty C4 show) and Snub TV has brought many a lump to my throat. Anyway, after all of that I can’t say I much enjoyed The Telescopes way back when. Sorry.

The week will be rounded off in style when ex-Go Between and songwriting genius Robert Forster plays the Royal Northern College of Music on Sunday on his first tour of this country since the tragic early death of Grant McLennan in 2006. It will, I’m sure, be emotional.

Video: The Go-Betweens: Here Comes A City

Posted by The Ledge on 14th September 2008 at 10:22 pm | comments (3)
File under gig guide,manchester gigs,video,youtube.

The Manchester Gig Guide: 8th-14th September 2008

When Jens Lekman played the Academy 3 back in May I arrived too late to catch Swedish duo Wildbirds & Peacedrums but was informed by Girl On A Train and A Free Man In Preston that they had been particularly good. Well, it looks like I’ll be missing them again on Monday night when they play the Deaf Institute on Grosvenor Street, as we’ll probably be too knackered after our weekend in Prague to bother. Shame on us.

On Tuesday Bowerbirds play the Sacred Trinity Church in Salford. They caught my ear over a year ago when their Hymns For A Dark Horse album was released in the States and garnered some glowing reviews. The album has finally been released over here and this promises to be a great gig; the band’s atmospheric, acoustic Americana should be perfect for that particular venue. Unfortunately, with it being JustHipper’s birthday on Tuesday, we might be otherwise engaged.

On Thursday Mark Kozelek’s Sun Kil Moon play the Roadhouse and I’m hoping that, with a full band in tow, this will be a lot better than his meandering solo performance at the Dancehouse Theatre last year.

Friday sees post-punk legends Wire at the Club Academy; on Saturday country legend Emmylou Harris plays the Bridgewater Hall and on Sunday Dead Meadow are on at the Roadhouse with The Beep Seals and The Old Romantic Killer Band in support.

Posted by The Ledge on 7th September 2008 at 1:00 am | comments (2)
File under gig guide,manchester gigs.

The Manchester Gig Guide: 1st-7th September 2008

The gig guide is back after a couple of weeks where there wasn’t much going on or, if there was, we were too lazy to report it. Of course, the summer holidays are over now and so the gig listings are filling up nicely for the autumn.

Things don’t really get going until Thursday this week when American Music Club play the Academy 3. They played the same venue a few months back so I’m in two minds about going to this one, even though, according to Drowned In Sound, they’re promising to play a few classic oldies. It’ll be a crowded night at the University as Gomez are at the Academy while Oldham’s much-touted Twisted Wheel play the Academy 2. Over at the Roadhouse on the same night are synth pioneers Silver Apples.

There are some terrible clashes on Friday night with two of Scotland’s finest bands, Frightened Rabbit and Camera Obscura, playing the Night & Day and Club Academy respectively while Gary Numan returns to the Academy for the second time this year, though presumably he won’t be playing his Replicas album in full this time. We would have plumped for Frightened Rabbit, who are supported by fellow Scots We Were Promised Jetpacks, were we not flying off to Prague for a relaxing weekend of sightseeing and Czech beer.

If that’s not enough then local faves Cats In Paris play the Deaf Institute and there’s also the Beck’s Fusions festival at Castlefield Arena with The Presets and Hercules and Love Affair, among others. Tickets are free but you had to register to be entered into a draw which has now closed. There will be a limited number of tickets available on Thursday at the arena from noon on a first come/first served basis.

On Saturday there’s the New Islington Urban Folk Festival on Old Mill Street just off Great Ancoats which runs from 2pm to 8pm and promises to be an interesting and entertaining event with music from the likes of Tim And Sam’s Tim And The Sam Band with Tim And Sam and The Mouse Outfit as well as a knit-a-thon lead by the King’s Arms Knitting Club plus tunes from the Dig For Victory Djs, AKA friends and fellow bloggers James Yer Mam! and Jonthebeef. Meanwhile, on the bill at the Fusions festival at Castlefield are Massive Attack and Santogold.

On Sunday the Dodos return to Manchester to play the Roadhouse and I seriously recommend that you go down to see them as they were excellent at the Night & Day back in May.

Posted by The Ledge on 31st August 2008 at 10:06 pm | comments (2)
File under gig guide,manchester gigs.